![]() ![]() Unexpected, that is, for those who missed the news stories from Peru in the early summer of 2009, when indigenous protests, sparked by the government’s refusal to repeal laws that opened up tribal lands to petroleum concessions, degenerated into violence, leaving dozens of protestors and police officers dead. Scott Salinas, When Two Worlds Collide takes an unexpected turn around a third of the way in. Told in effective but fairly conventional fashion with a meld of archive footage, ex-post-facto interviews and nature-in-crisis framing photography, accompanied by a mood-enhancing soundtrack by U.S. After its Sundance debut, further festival play looks likely, followed by a long-tail afterlife as a must-watch item for groups or individuals that engage with the issues the film explores. ![]() Selected for the World Documentary section at this year’s Sundance Festival, the film charts the 2008-2009 stand-off between indigenous Amazonians, led by activist Alberto Pizango, and the centrist government of then prime minister Alan Garcia, who at the time had recently promulgated a raft of decrees making it easier for Indian communal lands to be sold off and tracts of ‘unproductive’ Amazonian territory to be offered to foreign oil and gas companies for exploratory drilling. Orzel have been portraying.Deforestation, native land rights and Peru’s market- and government-driven race to modernise are woven into a conventional but nevertheless thought-provoking culture-clash documentary in filmmaking duo Heidi Brandenburg and Mathew Orzel’s first feature-length outing.Īt the end of a deftly-edited, heart-on-sleeve social documentary, most viewers will be left stirred and indignant despite residual doubts Pizango speaking with the father of a police officer who disappeared amid the violence tied to the protests, and his manner is chilly to the point of calculating - he’s no longer the soulful man of the people that Ms. ![]() There is something evasive about it as well. The issues presented in “When Two Worlds Collide” are so crucial that it feels churlish to characterize it as a dutiful, and ultimately pedestrian, documentary. Pizango, who at one point seeks asylum in Nicaragua after being charged with sedition for leading protests, but returns to Peru to face those allegations a year later. The movie uses television news footage, and meetings and protests shot by the filmmakers, who have been recording their subjects since 2007, and recent interviews with former government figures and protesters. “When Two Worlds Collide,” a documentary directed by the first-time feature filmmakers Heidi Brandenburg and Matthew Orzel, chronicles a conflict that resulted in one particularly effective piece of civil disobedience - a move by indigenous protesters to cut off commercial trucking routes - before it deteriorated into violence and death. ![]() Various factions rose up to oppose his administration’s actions, including Aidesep, the i nterethnic association for the development of the Peruvian rain forest, an organization of indigenous Amazonians led by Alberto Pizango. During his second term as president of Peru, from 2006 to 2011, Alan García made deals and pushed through laws allowing for greater corporate and industrial incursions into the Amazon than the government had ever permitted. ![]()
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